I am copying Ashely's awesome idea, just like I said I would. (Ashely, you're amazing!)
First up is The Office - Season 2, Episode 1: The Dundies. This is the episode when all the main characters make that magical transformation to fully-dimensional. We find out what everyone wants, what they really want. And we get to enjoy some classic '80s tunes.

World's Best Boss — "Tonight is The Dundies," says Michael Scott, brandishing a businessman trophy. "The annual employee awards night here at Dunder Mifflin." It is, according to Michael, everyone's favorite day, because a lot of people don't get trophies very often, and that lack of recognition leads to folks hanging themselves in their garages.
Jim is at reception, drumming his fingers on Pam's desk. He asks if she is ready for The Dundies, and she can only muster an "ugh" before she interviews: "You know what they say about a car wreck... where it's so awful you can't look away? The Dundies are like a car wreck that you want to look away, but you have to stare at it because your boss is making you."
Michael interrupts and causes Jim to shoot his first disgruntled look of the season at the camera. "Hey, hey, hey," Michael says, in a pretty spot-on Fat Albert voice. "It's fat Halpert."
"What?" Jim asks, and he Halperts the camera one more time for good measure.

Micheal drops it and asks Jim to show his past Dundies to the camera, but Jim can't: he keeps them hidden because he doesn't want to look at them and get cocky. Micheal thinks that's a good idea. Dwight says he keeps his Dundies in a display case above his bed.
That is, according to Michael "TMI," which, he tells us, stands for "too much information." He used to say "don't go there," but he quit that phrase on account of the lameness. Michael asks Stanley the Manly to flash his Dundie all-star bling at the camera, but Stanley refuses. He thinks he probably threw his trophies in the garbage. Michael looks at the camera, and then back to Stanley. "No, you di-int," he says.
"Yes," Stanley says, he did. Also, this year Stanley would like more apa-teezers because last time they ran out. Michael agrees about the appetizers and calls out Kevin for eating all the skillets of cheese last year. Kevin looks one part affronted, one part guilty. It's a practiced face.
Conference room. Pam watches a video of a previous Dundies ceremony. Michael wants her to find some highlights.

On the television screen, she sits at a table with Roy, her back to Jim. With Dwight's accompaniment on the recorder Michael launches into a rework of Lou Bega's Mambo #5: " A little bit of Pam all night long, a little bit of Angela on the thing, a little bit of Phyllis everywhere, a little bit of Roy eating chicken crispers, a little bit of Jim with some ribs, a little bit of..." In the middle of his song, someone on screen sits down in front of the camera. It is Kevin. Pam says, "...great." In real-time she gives Jim a withering look, and pretends to choke herself. He chuckles. Always in each other's periphery, these two.
Phylis, Kelly, and Pam giggle in front of the water cooler taking it in turns to say, "You did it." "Nu uh, you did."

Dwight comes over to let them know that secrets don't make friends. "So, what's the joke? You're not perfect either," he says. Pam assures Dwight they're not laughing at him, and because some middle school wounds never heal, Dwight wants to know who they're laughing at, then. Pam tells him it's just something, um, someone wrote. "Who?" Dwight wonders. "Dave Berry?" Kelly, still not laughing at Dwight says that it was something written on the bathroom wall. Pam says it's private. Phylis says it's about Michael. At this, of course, Dwight loses his shit. (The one man he's been hired to protect.) He shouts about defacement of company property and demands to know what is written on the bathroom wall. He offers Kelly a lesser punishment if she'll tell him. "Okay," Pam says. "Now I am laughing at you."
That One Night, You Made Everything All Right — Michael's office, speakerphone.

"Will her highness, Jan Levinson-Gould, be descending from her corporate throne this evening to visit us lowly serfs here at Dunder Mifflin Scranton?" Jan is all sighs; she tells Michael it is a two-and-a-half hour drive from the corporate office in New York to the Scranton office, and no, she will not be making the trip.
Maybe you think that's rational, to not drive two-and-a-half hours for a fake awards ceremony; or maybe you think it's mean. What you probably don't think is that it's perverse. What would be perverse is taking that two-and-a-half hour drive for a booty call — with Michael Scott. But Jan is above that, I assure you. Until she's not, which is later, and explains the disdain in her voice.
Jan and Michael get into this push-me-pull-me thing that involves Jan listing off the parties he's thrown this year — the 050505 party on May 5, 2005 because, as Michael points out, that only happens once every billion years. Also a Tsunami Fun-Raiser — and lets him know that corporate will not be paying for the Dundies. Michael calls this an A-bomb, and kicks the camera crew out of his office.
He interviews: "There's no open bar because of Jan and it's the reason why comedy clubs have a two drink minimum. It'll be fine, I just...wish people were going to be drunk." I am doing a quick mental run-down of all the reasons you would want other people to be drunk, and it's basically validation, karaoke, and possibly sex. This does not bode well.
Rooster in the hen house — Break room. Dwight waits for Meredith to leave the Ladies', and then sneaks in. He is greeted by Phylis, who starts swatting him away and calling him a pervert. "Why were you in there? Why were you peering over the stalls?" she demands. Dwight deftly turns it around: "Why were you in there?" he asks. "Pervert, pervert," Phylis shouts some more, and if she had a handbag, she's be beating him over the head with it.

It's what we do, our name is virtue. — Conference room. Pam watches as she wins the Dundie for "World's Longest Engagement." On screen she rolls her eyes, on the screen Jim shakes his head. Screen-Roy puts down his beer and accepts the award on Pam's behalf, saying he hopes they'll win it again next year. Real-time Pam looks at the camera and then down at her shoes. Real-time Jim looks at Pam, and then down at his.
Michael's office. Michael tells Jim there's no way he's changing that award, it's hilarious. Jim looks at the ceiling and agrees. "No, it's hilarious, you're right. I just think, um, 'world's longest engagement', we're all expecting it, you know?" Michael says that's what makes it so funny. Every year Pam doesn't get married it just gets funnier. Jim's face tightens and he says it's lazy to use the same jokes every year. That hits Michael where it hurts, as Jim knew it would.
This isn't really an aww moment; it's not heroic. See, because, unlike the rest of America, Jim doesn't survive Monday through Friday, nine to five, and it is more than Pam's best interest — more even than his own best interest — that drives this conversation with Michael. What Jim needs to live his eight hour days, what he needs to live, is to not draw attention to the Pam outside of him.
What makes Pam and Jim's relationship one of the best on television isn't just the chemistry between Jenna Fischer and John Krasinski, though that's part of it. Pam and Jim's relationship is multi-layered and subtextual. They say more in one line of dialogue or 30 seconds of silence than Ross and Rachel said in ten seasons. Watch, you'll see.
That was when I ruled the world — Dwight calls for silence: he has an announcement to make.

"The women in this office are terrible. Especially the ones who wrote that stuff about Michael on the bathroom wall. Having a bathroom is a privilege. It is called a ladies room for a reason. And if you cannot behave like ladies, well then you are not going to have a bathroom."
Pam walks out of the conference room, arms folded. After repeated Dundies viewing, she's ready to attack anything that moves. "You're taking away our bathroom?" she asks. Dwight says that from now on there will be two men's rooms. Phylis asks the obvious: where will they go? Dwight's on the brink of telling her to hold it all day when Michael comes out and shouts at Dwight to shut his yap.
Then, rather than confront the problem at hand (no money for The Dundies), Michael tells everyone they can bring their families to Chili's for the awards ceremony. Dwight gives a giant fist pump, and in an episode full of feelings, that's the saddest one.
Church at Chili's — Inside the restaurant, Dwight makes some inconsequential announcements about keeping acceptance speeches short. He has wrap music, and he's not afraid to use it.

Michael takes the stage in a gray hoodie, and start rapping while Ryan tries to keep up with the poster-board cue cards. "You down with The Dundies? You down with the Dundies?" The music comes to an abrupt halt. The camera cuts to Dwight who is holding an unplugged power cord. The waitress tripped over it, he explains apologetically.
Michael says the joke has landed, and while he welcomes everyone to the 2005 Dundies, he takes off his hoodie to reveal a tuxedo, because of course that's what he's wearing. Kevin tells the waitress to put his drink on the group tab. Micheal stops in the middle of disrobing to explain that there actually won't be a group tab this year. Stanley gets huffy, as is his wont, and calls Michael on his bullshit, which is equally his wont. Michael asks why Stanley didn't bring his wife, and Stanley says he did: it's this [white] woman whose hand he's holding.
Plowing through awkward is Michael's specialty, so he moves right along and starts telling a joke about being on a date with a woman from HR last night. Dwight interrupts to say there are no women in HR. Michael stutters that it is for the sake of the story, and ends with the punchline that just when things were getting hot and heavy, his HR lady made him stop and fill out six hours of paperwork.
"Like an AIDS test?" Dwight asks.
"No!" Michael says. "God!"

Roy and Daryl have had enough. Without consulting Pam, who is sandwiched between them, they decide to go to Poor Richard's and open beer bottles with their toes, sit around and count what's left of their teeth. Pam hesitates when they stand up to put on their jackets. Michael asks her where she's going: "The show's just getting started."
"Sorry," Pam says.
Ryan asks Jim if he's staying. Jim says yeah, he's gotta eat somewhere.
Michael gives out the first award of the night to the woman who always lands the biggest accounts. "The Busiest Beaver Award" goes to Phylis Lapin! Phylis is all smiles when she accepts her trophy, until she realizes it says "Bushiest Beaver." Oh, man. That just never stops being funny. Michael says he'll get her another trophy, she doesn't have to display that.

Outside of Chili's Roy has hand on Pam's arm trying to coax her into his truck, and she is pissed. ("Pissed" as in angry, not "pissed" as in drunk. Wait for that, too.) He's like, "Get in the truck." And she's like, "Eff off." And then she's back inside at Jim's table. He says hi, and that he thought she'd left. She says no, she decided to stay, and Jim's face lights up like Christmas.
While Michael does a completely racist Ping impression, Pam nicks Jim's beer, and then orders a drink for herself.

"You Sexy Thang," starts playing and Michael announces the next award is for someone who really lights up the office. "Somebody who I think a lot of us cannot keep from checking out," Michael says. "The 'Hottest in the Office' award goes to... Ryan the temp!" Ryan reluctantly walks up to accept the award, and Michael plays a little cat-and-mouse with it, proffering it then snatching it away. Ryan finally seizes the trophy, but before he can slink back to his booth, Michael smacks him right on the ass. Not like a "nice field goal" pat, but a genuine palm plus fingers slap. I fully believe you can go gay for one person, and Michael is so there for Ryan. Funnily enough, if Michael knew the truth: that he was way too good for Ryan, it would change the balance of everything. (Same with Jan, later.)

The next award is the "Tight Ass" award, and it is for Angela, because not only is she good with money, she also has a nice caboose. Angela, unsurprisingly, refuses to come up and accept the award.
At the Table of Destiny, Pam is slurping her third margarita. Jim looks at her in amazement and says, "I think those might be empty." She laughs, of course, and says cutely, "No, no. 'Cause the ice melts and then it's like second drink!"
See, there it is, that subtext. How differently does that play out if Jim puts his hand on her arm and says, "Pam, there's nothing left." How real does it become if Pam answers, "No, there has to be something left. The ice will melt, you'll see."
Instead Jim grins, bemused, because they live in the tension between silence and reality. "Second drink?" he asks.

Then Pam swipes Stanley's wife's booze. Stanley's wife gets it, I can tell by her face.

Next up, Kelly wins the "Spicy Curry" award, and Michael cannot explain what it means. Kelly, however, is mostly concerned with why her trophy has a bowler on it. "They were out of businessmans," Michael explains. "Just sit down, Kelly."
Back"stage", Michael interviews that now he knows what Bob Hope felt like in Saudi Arabia.

He says Dwight is sucking the funny out of the room, and then Dwight cues the music early. Michael rushes back on stage. He starts singing "Tiny Dundie" to the tune of "Tiny Dancer," and then some guys who ought to be over at Poor Richard's with freaking Roy start heckling him. Michael tries to chat them up, but they start throwing food at him. Literally, food. I don't know what is wrong with Dwight in this moment. For a guy that was about to shut down the bathroom over some graffiti, he is oddly absent.
Michael, so exhausted from inflating the wind in his own sails, decides to call it a night: "I had a few more Dundies to give out tonight, but, I'm just going to cut it short. And wrap it up so everybody can enjoy their food. Um...thanks for listening, those who listened." It's so sad, like when your parents go from being mad to disappointed. Michael sits the "Don't Go in There After Me" trophy on Kevin's table for that time he went into the bathroom after Kevin and it was really, really stinky.
Pam's face has that special brand of loyal anger: You can only talk shit about your own brother; if someone else has a go, you fight. "Whooo!" Pam shouts, clapping. "Yay Kevin. Whoo hoo for Kevin! For stinking up the bathroom." Jim joins in: " Yeah, alright Kev." Then Pam does the most self-sacrificial thing she's ever done on this show, she says, "I haven't gotten one yet!" She heaps the humiliation onto herself, to take it off her family. She can bear another "World's Longest Engagement" trophy, for Michael. "Dundies! Dundies! Dundies!" they chant.

"Alright, alright, alright, okay," Michael smiles sweetly, a moment's respite from keeping his self in the air, this is what he wants. "We'll keep rolling. Okay, this is the fine work award. This goes to Stanley, for all the fine work he did this year. You know you did!"
Stanley, inspired by Pam or completely liquored up, cuts Michael some slack. " Well, last year, I got great work, so I don't know what to think about this. But at least I didn't get smelliest bowel movement like Kevin."

Everyone laughs and cheers, because if Stanley can be on Michael's side, anyone can be on Michael's side.
Michael announces that the next award is going out to their own little Pam Beesley. There is a moment of sober realization on Pam's face, the kind she gets every damn afternoon when she has to go home with Roy. "I think we all know what award Pam is going to be getting this year," Michael says. Jim's face flashes that special brand of anger that runs one slice deeper even than the family kind. Michael continues: " It is the 'Whitest Sneakers' award! Because she always has the whitest tennis shoes on!"
Pam rushes the microphone, elated, disbelieving. She squeals and says, "I have so many people to thank for this award."

The camera cuts to Jim whose face is alight with wonder. He's never seen her like this.

It's played, the idea of gazing adoringly at someone you're so deeply in love with, but that doesn't make it any less real. The internal dialogue of watching her sleep, watching her interact across a room, watching her make an ass out of herself when she's drunk: Jim has had the second and third without the first. It's a perfect ache, the kind that takes the taste out of peanut butter.
Pam thanks her Keds, she thanks Michael and Dwight for hosting the show, and then she thanks God. "I feel God in this Chili's tonight," she says. She shouts one more time into the microphone, gives Michael a quick peck on the cheek, rushes Jim who is holding out her chair and kisses him right on the mouth.

He sits back down, knowing she's drunk, caring very little.
At the bar, Jim and Pam chat with the camera.

"What a great year for The Dundies," Jim says. Pam stares at him and nods solemnly. "We got to see Ping." [Pam nods] "And we learned of Michael's true feelings for Ryan." [Pam nods] "Which was touching. And, we heard Michael change the lyrics to a number of classic songs." [Pam nods] "Which for me, has ruined them for life." Pam still stares, nodding.
"What?" he asks.
"Nothing," she says.
He says, "OK."
"What?" she asks.
"I don't know, what?" he says.
And rather than say what they both know, she falls off the stool.
Jim says, "Oh, my God! You're so drunk!"

Michel interviews: "Was this year's Dundies a success? Well, let's see, I made Pam laugh so hard, that she fell out of her chair, and she almost broke her neck. So I killed, almost."
Pam agrees. Outside she nearly tackles the camera man.

"Best. Dundies. Ever." she proclaims. Then she takes it in turns to hug and kiss everyone, because she's not too drunk to know she has to re-level the field.
Ryan and Dwight help Michael to the car with his props. He tells them great work, and Dwight tells him to watch his step. Dwight says he just did what any Deputy Sheriff would do in the event that a co-worker fell off her barstool: check her for a concussion. Michael says, "Yes, that too, but I mean with the audio. Great work."
Dwight's heart grows three sizes, this is what he wants.
Pam and Jim sit on a bench and wait for Angela to pull her car around.

Pam says she feels really sorry about what she wrote on the bathroom wall. Jim says no, she doesn't. She grins, he knows her.
Jim helps Pam up to walk to the car, and she stops him. "Hey," she says, "can I ask you something?"
Doesn't she know? Everything, everything yes with Jim. "Shoot," he says.
Again the silence, what they both want, until she remembers the camera. She flashes her trophy at him. "I just wanted to say thanks."
He half-laughs. "Not really a question."
"Okay," Jim says, "Let's get you home." He puts her in the car, watches her drive away.